by Kim Moritsugu Looks Perfect is about the fashion-editor extraordinaire for Panache magazine, Rosemary, and her romantic entanglements. While covering the ready-to-wear collections in Europe and New York, she keeps bumping into Brian Turnbull––the sexy and rich owner of multiple fashion magazines. The first half of the book involves his extramarital fling with Rosemary, along…
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by Ann Y. K. Choi I seem to be finding it harder and harder to give an author the benefit of the doubt while reading, and I think it’s becoming a problem. The realization came partway through Kay’s Lucky Coin Variety after reading something particularly unsubtle or repetitive and putting the book down, likely more…
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by Terry Fallis One Brother Shy is narrated by Alex MacAskill, an Ottawa developer working on the latest and greatest face-recognition software. He takes care of his ailing mother and, because of a mysterious, traumatic event in his past, he suffers from an almost debilitating shyness, so bad he can barely look coworkers in the…
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by Grace O’Connell Be Ready for the Lightning follows the narrator Veda’s life before and after a traumatic event––being trapped aboard a Manhattan bus during a violent hostage situation. The story centres around the fractious relationship between Veda, her brother, Conrad, and their core group of friends as they all attempt to approach normalcy in…
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by Greg Rhyno I hate it when I’m right. I mean, it feels fine being right in general sense, but, in the context of a book that tries to surprise you, it tends to bring things to an unsatisfying conclusion, especially when the twist is presented as though it should have shattered your world. But…
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by Terry Fallis After five demoralizing years in Canadian politics, Daniel Addison decides to quit his job as speechwriter to the leader of the Opposition Liberals to start teaching English at the University of Ottawa. (The decision came shortly after unintentionally witnessing his girlfriend’s late-night “political discourse” with the House Leader.) But, as a last…
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by Khaled Hosseini Lately, on-the-nose dialogue and overt writing in fiction has really been grating on me in my reading. This isn’t to say that either of these related issues are the worst offenders in literature, but they’re usually enough to hurt the story, enough to change what could have been great into just something…
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